I didn’t spend much time on selecting this list. I never
even bothered to scan the external hard drive that houses all my MP3s. I just
skimmed the Pfork list then the list that I made for my last post, and tried to
remember any others. Of course, I didn’t include anything I haven’t listened to
completely. So even though I have
several tracks from most canonical albums, only ones I have are eligible.
That’s why before the real list, I’ll do a Top 70s Albums I Still Need to Hear.
-----Need to Hear-----
1) Tim Buckley – Starsailor
2) Television - Marquee Moon
3) Nick Drake – Bryter Laytar
4) Rolling Stones – Exile on Main Street
5) David Bowie – Low
6) Anything by Magma
7) Bob Dylan – Blood on the Tracks
8) Leonard Cohen – Songs of Love and Hate
9) Gang of Four – Entertainment
10) Ramones – Rocket to Russia
11) King Crimson - Red
12) David Bowie – Diamond Dogs
13) Faust – IV
14) Iggy Pop – Lust for Life
15) Sly and the Family Stone – There’s a Riot Going On
The 70s is the most underrepresented decade in my collection
to begin with, so my lack of effort certainly won’t help making this
interesting. Pretty much every choice is standard and if I were to see this
list I’d yawn and move on. But hey, my knowledge about 70s albums isn’t nearly
as deep as it is for what’s been going on the past few years. In fact, any
other decade would be much more interesting than this. But I actually don’t think it’s that I
haven’t heard enough to make an interesting list, it’s just that all I’ve heard,
for the most part, are canonical albums.
But maybe since about all of my choices are really popular,
perhaps I’ll get some comments!
As much as I hate this rule, on this list and this list only
I’m going to set a limit to one album per artist. Normally I find this
annoying…you should just choose your favorites…but I have to do it as a
handicap of sorts. Otherwise the vast majority of this list would be made of
Pink Floyd / David Bowie / Big Star / Neil Young since I really haven’t heard
that many albums from the 70s.
Just thinking of something…I don’t think I’ve heard many
albums from the 70s, but if I revealed the number of albums I actually have
heard, that’d probably be dozens more than most people have heard total…I’m
such a geek! And I love it.
Edited in after I finished writing this: I wish I would have
spent more time remembering albums since I forgot several of my favorite
albums, all of which were much less predictable. Nico’s Desertshore is the most notable ommision. It would have placed at #4 or #5 possibly.
I’ll keep the comments as short as I can. Some day I’ll take
these comments seriously and actually put some effort into them…
My Favorite Albums of the 1970s
20) Elvis Costello – My Aim Is True
This is so much better than This Year’s
Model. Another close call was Harry
Nilsson’s Nilsson Schmilsson, which I luckily found a copy of on vinyl for only
.99 cents. A few weeks later it was
finally reissued on CD.
19) Bruce Springsteen – Born to Run
As an album,
Born to Run would be beat at its own game at least twice over the coming years
by Jim Steinmen, Todd Rundgren, and Meatloaf with Bat Out of Hell and by
the Boss himself with Darkness On the Edge of Town. However, the two standout tracks, Thunder
Road and Born to Run, would never be equaled as paeans to teenage emancipation.
Both of those tracks deserve to be considered for the top of a Best Rock Song
Ever list. Credit should be given where
credit is due, and the E-Street Band are the folks that pull Born to Run up
from merely “pretty good”. Whoever
plays the sax interludes is brilliant. Does anyone here know who it is by any
chance? The All Music Guide lists three different sax players in the E-Street
Band, so I have no idea who to credit for my favorite parts.
18) Derek and the Dominoes – Layla
Without a
doubt, this is Eric Clapton’s shining moment.
The only reason this album isn’t in the top ten is the unnecessary
length. I don’t think I’ve ever been able to listen to the whole album in one
sitting. How to make it perfect: trim
Keep On Growing, Have You Ever Loved a Women, and Tell the Truth a few minutes,
take out Key to the Highway completely (or at least make it a short interlude
of sorts), then end with Layla. Thorn
Tree in the Garden is a great song, and while I can appreciate what they were
trying to do by placing it at the end, Layla would be the perfect ending
for the album. Besides being one of the
most epic and climactic songs ever recorded, the jamming for the last half is
the perfect bittersweet combination of despair and newfound hope. The best
songs here are some of the best heartbreak music there is.
17) Creedence Clearwater Revival – Cosmos Factory
The second
best American band of the 60s released their greatest album just after the
decade turned over. John Fogerty never sounded more convincing than on Who’ll
Stop the Rain. And Creedence never
jammed better than on Heard I Through the Grapevine. Many of my favorite Creedence songs are here: Lookin Out My
Backdoor, Travelin Band, Run Through the Jungle, Up Around the Bend, Long As I
Can See the Light… If Bad Moon Rising, Proud Mary, Green River, Fortunate Son,
Have You Ever Seen the Rain, and Down on the Corner were included, this might
be the greatest album ever. Oh wait,
there is an album where all those songs and more can be found. It’s called
Chronicle. And anyone who doesn’t think
it’s the greatest compilation you can buy needs to open their ears.
16) The Beatles – Let It Be
Placing a
Beatles album on a list, or even talking about one, is no easy task. They remain so pervasive, so dominating, so
enduring that it’s hard to see just what it is that you like…or even if you
like them at all. Let It Be is viewed
by many to be one of their weaker albums, and I think I can agree with that to
a certain extent. As a whole, it doesn’t approach Abbey Road or The White Album
and song for song it can’t touch anything else they did after 65 except for
Magical Mystery Tour. But each the
three main Beatles contribute one song that stands head and shoulders above
almost everything else. Paul had the title track, John had Across the Universe,
and George had I Me Mine. Two of Us is
a personal favorite as well. Plus, it’s
the Beatles!
15) Joni Mitchell – Blue
Joni Mitchell
virtually invented the grating, psuedo-bluesy style of playing found in coffee
shops across the country. It’s almost impossible to listen to this album due to
the thousands of sub-par imitators that have followed in her wake. Thankfully, the songs on Blue are so strong
that they continue to overcome any clichés or preconceptions you might
bring. She was still young when Blue
was recorded, and her voice was still amazingly beautiful. It’s a shame what smoking did to her over
the coming decades…
14) The Who – Who’s Next
Ummm, like
this is such a cool album dude. Brain
fart…
13) David Bowie – Rise and Fall of Ziggy Stardust
Just thinking
about everything Bowie accomplished between 1970 and 1980 is mind blowing. It might just be the greatest run in rock n
roll, though I can hardly choose whether or not I agree yet since I only have
four or five of his albums from then.
He released more than a dozen albums in one decade, and nearly
all of them were some of the best the era had to offer. Even more amazingly, many of his records
during this period were not only innovative and pervasively influential, they
actually all but created new forms and genres.
It’s nearly impossible to select a favorite Bowie album since they’re
all so excellent and diverse. 1980’s
Scary Monsters is my personal pick so far, but it’s not eligible here. I’ve yet to buy any of his Berlin trilogy,
Low, Heroes, and Lodger (I only download new albums) and since these are
generally regarded as his masterpieces this pick is all but meaningless. Station to Station is excellent and possibly
better, but I reckon it’s strictly a fall/winter album and I’m just not in the
mood for it right now. Most consider Ziggy to be Bowie’s glam rock masterpiece
(though many lean toward the follow-up Aladdin Sane), and it truly is a killer
album.
12) Rolling Stones – Sticky Fingers
Kieth
Richards is the man. You
should have heard him just around midnight.
11) Meatloaf – Bat Out of Hell
Surprisingly,
it seems like one of the albums people are most pissed that Pitchfork left off
their list is Bat Out of Hell. One day
Meatloaf will be cool again…assuming he ever was…and the world will be a much
better place. The interplay between the
instruments on the title track alone make this an essential album. For 10 minutes, Todd Rundgren’s flashy
fretwork, Jim Stienman’s hypnotic piano, and Meatloaf’s 400 pound voice achieve
what every rock band aspires to.
Haha…I talked about how stellar the interplay between
instruments is on a Meatloaf album!
That’s even more BS than everything else I write.
10) Gram Parsons – Gram Parsons
A great
country album from ex-Byrds member.
Introduced the world to Emmy Lou Harris. This self-titled debut is even
better than the mighty, much ballyhooed Grievous Angel.
9) Neil Young –
After the Gold Rush
I still really
need to hear On the Beach. Now that it
was just issued on CD for the first time a few months ago I finally have that
chance. But until then, After the Gold
Rush is my favorite Young, with Tonight’s the Night a clooose second.
In my mind,
Neil Young WAS the 70s. Any 70s list
without one of his albums isn’t worth much.
I’m listening to this album right now and really wondering why I only
placed it at #9. Surely music this good
wasn’t bettered more than 2 or 3 times.
Oh well, I don’t feel like changing it.
8) Big Star –
Third/Sister Lovers
If you’re the
rare type that’s curious about things, this has the potential to be
life-changing music. I wonder what my
reaction would have been had I heard Kangaroo or Stroke It Noel (OMG!
Download!) a few years ago. I got this
album just last December, however, and all it did was meet my sky-high
expectations. Third/Sister Lovers
actually isn’t a real album. It was
never finished. A decade later a label
put together a track list and released what Big Star had recorded. However, the fractured, incomplete feel is
perfect for the dark, desolate hopelessness of the music.
7) Van Morrison
– Moondance
This was the
first “classic rock” album that I got.
I don’t know why, but something about the music really connected with
me. Even enough to bypass the
ridiculous prejudice that most young people have that anything made more than a
decade ago which isn’t Zep, Floyd, or Sabbath sux. Sadly, the more I hear and the more I listen to Van Morrison’s
“other” canonical album, 68’s Astral Weeks (possibly the very greatest album
ever cut) the less I like Moondance.
That’s not to say Moondance is bad…far from it…the first half is perfect
bliss…it just isn’t holding up as well as I initially thought. I don’t know whether this is a good or bad
thing, but writing this just makes me want to hear Astral Weeks yet again. *clicks on #3 Sweet Thing* Yep, I can’t go back to Moondance. I don’t even know if I can finish this list! If you haven’t heard of Astral Weeks (there
were no singles) and you have an open mind about music, you must hear it
somehow. Hell, even WVU’s newspaper
gave Astral Weeks a special review one issue to explain how perfect it is. Now I want to do a 60s list just to talk
about this album! Maybe next time…
6) Pink
Floyd – Dark Side of the Moon
I would bet
that 70% of the people reading this blog already love this album. The rest have already made up their minds
about their position on it. It’s
obvious what mine is.
5) Bulent –
Benimle Oynar Misin
This is the
one album on this list that is not just an odd pick, but criminally
obscure. Yes, criminally. The world’s distribution system needs to be
put in jail due to the fact this album was just released in America for the
first time months ago and with almost no fanfare. Wow this is a stupid comment… Anyway, ummm, Bulent were a Turkish
band that recorded a brilliant album. I
would lazily describe them as a Turkish Brytar Layter-era Nick Drake.
Supposedly, this is recognized as a landmark record in Turkey. Hopefully someone with a bit of influence
will review this in America and people will finally get to hear this
masterpiece.
4) The Velvet
Underground – Loaded
Loaded is
usually dismissed in comparison the three legendary albums The Velvet
Underground cut in the 60s. That’s a
shame because it’s almost certainly one of the five best pure rock n roll
albums out there. Some songs on Loaded
virtually define rock music for me. I
had this at #1 initially, but I changed it for some reason. The top four here are all interchangeable
depending on my mood.
3) Nick Drake –
Pink Moon
Any doubts
that Nick Drake deserved to be included among the greatest guitar players of
his era were certainly put to rest when people finally got around to hearing
Pink Moon (I think it finally went platinum recently). All of Pink Moon is simply Nick Drake with
his acoustic guitar (and a sparse piano on the title track). There’s no over-dubbing, editing, or
anything. Contrary to the full, complex
sound, Nick Drake is the only person playing.
The record was recorded in just two days. He just went in the studio and laid down the tracks. I think I remember reading that most of the
songs, possibly all, are first takes.
Simply amazing.
2) Led Zeppelin
– IV
Jimmy Page was
the king of killer riffs, and Black Dog, the opener for IV, has THE Riff. Few songs cram as much intensity into 3:40
as Rock n Roll. There’s probably not a
more popular rock song or a better guitar solo than Stairway to Heaven. Going To California is a personal favorite,
though it might be because it was one of the few I didn’t know completely
before even getting the album. When the
Levee Breaks is the heaviest Zep got.
Oddly enough, the more I listen to this album, the more I like it. I’m thinking it’s because each listen
further recontextualizes it away from the crap that surrounds it on “classic
rock” radio. Every spin somehow makes
it sound more fresh and new.
1) The
Clash – London Calling
This was about
the only album I listened to from February until May my junior year of high
school.
From our vantage point today, London Calling is a
sky-high crystal tower on the landscape of twentieth century popular
culture. Over the years its legend has
grown greater and greater, and with each new fact one learns about its creation
or legacy, the appreciation deepens.
Did you know it was a double album, but the Clash insisted on selling it
for the same price as a single album despite the fact that they had to pay the
difference themselves? Or that the band
hated each other during its recording, even refusing to show up at the studio
at the same time for a while? Have you
read the endless amount of testimonies from people who claim that their life
was saved by stumbling on a copy of London Calling? For a moment there, music really did matter. The songs still hit just as hard now as they
did when it was first released 25 years ago and, even if the politics that
informed it are now quaint, London Calling is still as relevant as ever. |